What is the nature of her propaganda? Can they describe or articulate it in any way shape or form?
Bill Buckley hated Rand haha. He published the Whittaker Chambers' legendary review of Atlas Shrugged on National Review, which is regarded as one of the most scathing reviews about anything ever put to print lol.
That said, he agrees with me in that video---Fountainhead is an infinitely better novel, and is worth reading on its merits if only because it's a great novel. It only arrives at Rand's polemic incidentally, whereas Atlas Shrugged tries to NOT arrive at it over a thousand pages and, well, fails.
Buckley was a classic conservative though. His objections of Rand's philosophy rose out of the fact that he was building a conservative movement that cherished Patriotism, Charity and religious morality---which Rand opposed, but rarely wrote about in her novels. His critique was that Rand's rejection of altruism diminishes noble self-sacrifice---be it to your country or to your family or to your God. But Rand spent the rest of her life extending Objectivism over those things too. Self-sacrifice would cover things that you value beyond your survival and it's righteous to pursue them because they'd still be in your self-interest.
But she never had kids, so it was impossible for her see how that breaks apart pretty much after they hit puberty.
I regret having read Atlas Shrugged. Waste of time even if I agree with most of the premise.
It has the same philosophical merit of a teenage girl retelling an argument she had where everyone she disagrees with speaks in a retarded voice and says retarded things while the girl is the soul of reason and understanding.
Here it is again.
We see that he can not describe what is dull or lifeless about the characters or why they suck. Merely that he has heard that they are and thus, at least one of her books isn't worth reading.
He also uses the term 'authors of fiction' at the very end to deride and belittle her ideas.
There are no great authors of fiction and none of them have ever taught us anything. Dostoyevsky, Shakespeare, and Hemmingway are all retarded cunts in Melvin-World.
She was a philosopher who suffered under the Bolsheviks, but Melvin doesn't know this because she is taught to everyone, including him, that her characters are boring and she is merely nothing more than a novelist.
You should have seen the look on my wife's aunt's husband's face last night at their neice's wedding when I said her name to him in conversation. He's a Professor of South American history. He had a momentary look of laughter in his eyes and then explained to me that she is not a very good writer. When I asked him why he thought so, he tried to change the subject to Paul Manafort.
Nobody discusses her ideas because nobody knows them because nobody reads them because they have all been warned off against her.
Why the warning? I ask everyone who hasn't read her. Why do you suppose they caution you so strongly against her?
Anthem isn't her strongest book, though it's the shortest lol. It's mostly remarkable for preceding 1984 by over a decade.
Calling Atlas Shrugged a 1,000-page opinion piece is fairly shallow, though. You don't need to "research" it, it's a pretty quick read. It's shorter than most GRRM or Stephen King books and probably a bit more entertaining. It's not gonna convert you or anything. No more than reading Derrida or Chomsky would convert you.
She's a gifted writer and novelist, that's why we're still talking about her 80+ years onwards. If Atlas Shrugged is too long to entertain forming your own opinion on her work, try Fountainhead----it's the better novel anyway, and way less "political", if at all.
I'm completely comfortable making what appears to be a shallow dismissal of an author I'm not interested in. I'm well aware of what kinds of fiction I enjoy and what I don't, thank you. If we were discussing a newer author that I've heard very little about, then I might reconsider my opinion if you could make a compelling case, which you didn't.![]()
I said Anthem was ONLY remarkable because it preceded 1984 by a few years, not that it was particularly exceptional.Preceding 1984 by over a decade is not remarkable at all. Just to name a couple books of that genre that I personally believe are especially noteworthy, Huxley's A Brave New World, and H. G. Wells's Time Machine were published 6 and 43 years before Anthem, respectively. There's more than a few dystopian novels that predate Ayn Rand.
I'm completely comfortable making what appears to be a shallow dismissal of an author I'm not interested in. I'm well aware of what kinds of fiction I enjoy and what I don't, thank you. If we were discussing a newer author that I've heard very little about, then I might reconsider my opinion if you could make a compelling case, which you didn't.![]()
Why not just say that you read one book and don't remember it except that you didn't like it that much and don't know much about the other books and skip the debate about something you don't know anything about?
I said Anthem was ONLY remarkable because it preceded 1984 by a few years, not that it was particularly exceptional.
In fact, the most positive thing I said about Anthem was that it was SHORT, which it needed to be since it was just a novella. I noted that this was an important characteristic for you, since you lamented Atlas Shrugged's girth among the chief complaints that you found most damning from other people's opinions about the book. I suggested that were you inclined to form your own opinions about the book, it wouldn't be hard since it's not much larger than other novels from folks like GRRM or Stephen King and that was it.
If anything I was suggesting reading The Fountainhead instead. That's no dystopia so you're probably not interested so that's that.
along with everything else I read regarding Rand, helped me make an informed decision
To criticize Atlas Shrugged because it 'lacks interesting characters' is like criticizing Star Wars because it 'lacks interesting shoes'.
I also picked up Atlas Shrugged and/or The Fountainhead off of the library shelf and did a little bit of skimming.
Because all the Objectivist characters were smart, good looking (this part is especially lulzy) and well spoken people. And all the anti-Objectivist characters were ugly retards spouting off nonsense the entire time.How do you figure this?
For me the book had three parts spread evenly throughout:
1. A cool dystopian novel with some science fiction elements.
2. A pretty lame love story where ever attractive and smart dude in the book tries to bang the author's Mary Sue surrogate.
3. A dishonest promotion of Objectivism through the above mentioned mental-midget approach.
#1 was enjoyable. #2 was pretty eye-rolling but tolerable. #3 was so pervasive and repetitive way that it ruined the book for me. It was like spending an entire evening sitting through pyramid scheme seminars showing how successful people were if they paid $300 for a set of tapes and then sold knives and supplements. You got a free hot dinner at the end of it, but was it really worth it?
No, she converted me to boredom.Thank you very much Tuco. That is an excellent summary and review.
To be honest I pretty much agree.
1 is the best part. The first part of the book, when the decision making process of both Dagny and Jim are explored, is riveting. To me this is practically the whole novel. Because that relationship between brother and sister is the heart of what she is trying to describe. They are the two main characters in my opinion. Not Rearden, not Galt, not Francone. It was Jim and Dagny. That was the meta-story.
Dagny was the objectivist who wanted to build the new rail line to the new copper mine because the copper people would need a way to ship all that copper.
Jim was the subjectivist who wanted to build the rail line to bum-fuck nowhere because it's not fair that the inhabitants of bum-fuck nowhere don't have high-speed heavy-duty rail lines.
To me, that is pretty much the whole book and describes her whole philosophy. That and the scene where Galt walks out on the factory. I don't really like Galt in the end, but I did like that single act of hutzpah by him.
2 is the second best part, I agree again. The love triangle between Rearden and Dagny and Francisco makes sense because they sort of 'found' each other philosophically and commercially, but it's a bit gag and her real life mess shows here.
3 was throw-away as far as I'm concerned. I didn't need any of it. Not the great speech on the radio or the utopia or any of that. I think I had pretty much already understood the point by this part of the book and I found it all a bit cringe, but I was time-sunk into the novel so I was determined to finish it.So, did she converted you to Nazism Tuco?