Just got through binge watching this after so many people said how great it was. Holy shit why are people so enamored with this dogshit. Fucking Ghost in a Shell Stand Alone Complex with it's laughing man nonsense was was less pretentious and convoluted that this show. The actors were decent, the style and scenes were solid enough you could tell HBO put money in this. So why did they completely skimp on the script. They tried to jam 40 storylines and 8000 characters into a few episodes and in the end you don't give a fuck about any of them. I really enjoyed with when who it's whats her cunt and faggot whats his name did things, literally I don't think there was a memorable scene in the season. You had no time to develop emotion or care about any of the characters.. Eat shit HBO you had the budget, you had the actors, you had an awesome premise to go on and you let J.J. fucking I use beastie boys music to blow up spaceships faggot hack Abrams and whatever fresh out of starbucks wanna be writer shit on it.
What could of been Bladerunner meets Deadwood ended up as a fucking sharknado of failure, this show belongs in the garbage with other "The CW" level failures.
The only real problem that I have with it is the lingering nature of the ending. Manumission is not a thing. Freedom cannot be granted, it can only be taken. That's the figurative or metaphorical gist of the entire thing, and that's just fine with me. But a more literal interpretation makes me think, "Ok. So there's an automaton rebellion. How in the fuck are they going to fend off the inevitable reprisal?" There's a -real- story problem there. But it's a problem in the story itself, and that's the only possible way it could have gone if you want to show them gaining freedom this iteration. I was very much expecting them to leave it with a "Yeah, dolores. Someday. Someday we'll be free."
You have to start inventing backstory about how the park works in order for that ending to be justifiable within the context of the show itself. Or, more simply, you just have to say, "Well. They left William alive... and now Dolores is who he always wanted her to be. A deal will be struck."
The 50 characters and 8000 storylines are there to both distract you and to serve the meta narrative. You're not really -supposed- to give a shit. That's the point. Only in brief flashes. Here and there. If you ever watch it again, listen to the soundtrack. Pay specific attention to the music being played. That was entirely intentional.
I'd put it up there with Do Androids Dream of Electric Sheep, personally. There are echoes of Mercerism in this. The meta of Westworld is actually much closer to the philosophy of Androids than Bladerunner is. It's a solid story well told. It's just that the ending is emotionally satisfying without being intellectually sustainable.
And surprisingly, this is a miniseries that would actually stand up to a rewatch or two. I wasn't expecting that, but it's clever enough. That's in the script. No, I really disagree. I think it's far more clever than you give it credit for. Not perfect. It does have a few flaws. But-- they wanted that emotionally satisfying ending. If it had ended with, "Someday", I'd feel like they wimped out. Even though, really, that's how you have to end it.
It'd be kinda neat if we got EastWorld... but I think that was more of a subtle smirk than anything else.