http://www.broadcastingcable.com/new...ril-live/27988Wrong, by and far their most popular show was Emeril Live.
Cord cutting, while finally getting noticed a bit will ultimately be doomed if networks really want to make it so. We've already seen some studios rip away rights from Netflix and I think Netflix from a fate like that then before networks and providers totally revamp the way they do things. They money they make off Netflix is marginal compared to the current way they do things and as long as it remains that way they would just rather lop off the head of Netflix and keep printing money than have their margins threatened.
Right, that is kind of my point. This is a network that doesn't like to take chances. Sure, they did once and got a hit out of it. They took similar chances on guys like Ted Allen and failed and they have since stuck to their formulaic crap. So much so that the formulaic crap has crowded out the actual cooking shows and relegated them to a whole other channel that many carrier don't even have, or if they do not in HD. Again, not an expert, but I am pretty sure that the only reason a Comcast or Verizon would carry something like the Wealth channel or Cooking channel is Disney negotiating with them to do it, leveraging their mo0re popular shit to get placement for the less popular stuff. This is the only way it works for Disney, and the only way it works for Verizon or Comcast is if they package all of those channels with a selection of more popular channels like Food Network, TNT, TBS, FX, etc and sell it to you in a bundle. It just kind of defies logic that by taking away the bundling you wouldn't lose content. The market would adjust and the industry would find a way to get those niche shows produced, maybe online or something, but the immediate impact would be networks like Cooking channel stopping production as providers no longer opted to carry channels and waste overhead on them when people aren't subscribing.You're talking about a network whose most popular show of all time, Good Eats, barely got green lighted. Networks don't really have any incentive to care if something is popular or not, precisely because of bundling. So long as each show, individually, is making enough via advertising to justify its time slot. Which is why you'll see this slow death of shows sometimes, where it is borderline making it, so they move it to a less popular time slot and see if it has enough fans to make it work in a less popular time slot. Usually the show dies. In the case of cooking shows the production value is so low that doesn't take much to break even though. If you're only paying for the shows you want, the time slot nonsense goes away to. Another bonus.
The current industry model just isn't going to keep working as more and more people watch shows online. They'll need to do something else. Networks are already having issues with advertisers. Everyone keeps talking about money, but advertisers have been paying less for commercial space because of DVRs. Money is already becoming an issue. They'll pay more for an in-show ad, but that has the occasional backlash (see Glee at the People's Choice Awards and Digorno). There is a whole new business based around inserting background ads into old shows, every re-aired episode of I think it was CSI now has a Subway in the background somewhere. The money is already shifting around, the current model of making shows will become completely untenable in the next decade because the advertising money won't be there in the quantity it is now. Something is going to change. It is reasonable to think it'll go the same route the music industry did, instead of buying an album (channel) you buy the song (show) you want. People will come up with low cost technology to do all of this more cheaply. Location shooting is one of the primary expenses of shows and you can dispense with that entirely with modern green screen set ups (which, yes, you could set up in a garage). There are answers to the cost hurdles of "indie TV."
When asked about the end of the show on the August 29, 2012 episode of The Nerdist Podcast, Brown stated "I've put Good Eats into cryogenic holding. I'm not saying it's gone. I didn't shoot it in the head, I didn't kill it, but after 13 solid years of production, I needed a break."
Oh no, they begged him to stay and keep doing it. Heaps of money were thrown at him. No dice. He was burnt out.Really? I swear I thought I read the opposite and that he was trying to reboot it. IDK, his tour is basically his show.
What? Viewership for the Mad Men premier was the highest of anything on AMC, clocking in at 1.4 million households. It went up from there. Mad Men costs between 2.5-3 million an episode. Do you think you most people would pay $2 an episode if they weren't paying for cable? Because that is break even for a show like Mad Men even for the first season, which had the lowest viewership and which is pretty much near the top for cost per episode. Breaking Bad won numerous awards for its first season, had a hugely positive New York Post review that got it a lot of viewership, etc. These are not obscure shows that took off. They were, in TV terms, blockbuster successes from day one.Yeah, but shows like Mad Men and Breaking Bad didn't really gain their following until the 2nd or 3rd season. Do you really want shows canceled after one or two bad episodes? Or one or two good episodes that nobody watched for whatever reason? Is it really such a great thing to pay $30-40 for a half dozen channels that you want vs. paying $60-$70 a month for 200 channels that include the ones you want plus a lot of other stuff that you may not know you want? I just don't see ala carte as the great thing that people seem to think it would be.
You mean am I assuming that the exact same thing that has happened in other markets (Music:iTunes, Games:Steam, etc) will happen? Yep. I am assuming that people pretty much behave the same in all markets of entertainment. Because that is how it has worked every time. Sure, at the end of the season it'll be a little cheaper to pick up the pack, but you miss out on the experience of watching it at the same time as everyone else, which is a big social component for a lot of people. Sounds an awful lot like people buying a new game vs people who wait for sales, doesn't it? Which has made games a lot more money then they were before. Also models like this drastically reduce piracy. People are happy to pay for things if they can get only the thing they want. It is when you try to sell them other stuff in the same package and charge them for it that they just go download your show for free.So you're assuming that just as many people would have paid $2 per episode for a show that they had never seen as watched it for "free" since they were already paying for cable? And $2 an episode is a hell of a lot more expensive that what we had been talking about. We were talking about paying $5 a month per channel. Now it's $2 per hour of television? This is somehow superior to the current system?
That's the number one problem right there. Well number two. Lobbyists would be the number one problem!People still don't really understand the issue