It's a possibility, sure. Which is why I said one ending could very well be that it's just supposed to be Marty's take on an otherwise innocuous image. I'm just questioning the absolute faith you guys have that it's that.Again, over thinking. As chaos said, the his are talking about a car accident when the dolls are like that. Don't act like a person lying down (or dead) and people standing around looking at them isnt a possibility. Surely the kids overheard their dad talking about crime scenes.
Unless it's intentional. Marty also warned Rust twice about twisting a story to lead to your own narrative. That's three times in seven episodes it was brought up. Not sure if I can give Nicky P that much credit, but it's something to consider.If that's the case, Kirun, then it is disappointing. That's a shitload of production/editing fuckups.
So lets just get this straight, you're siding with fuck and suck idiots that couldn't dig up a lead even with all the resources Rust lacked? Okay.Man, you are doing exactly what Fuck and Suck accused Rust of - twisting/leading things to fit your own narrative. Another reason why this show is so goddamn good.
Uhh the fuck? The dolls and the drawings were center screen during close ups. That shit wasn't background neckbear info. Again, is it possible? Sure. It's possible. It's just as possible that the guy tried to use some ham fisted symbolism, was shocked by how in depth his audience was, and is now professing that it's the audiences fault that his conveyance failed. Or it's possible he set the scenes up to leave audiences guessing down multiple paths, so he could create buzz about the show, and not have it mean really much at all outside of being cat nip for the fans.Now we're trotting out the drawings that Marty flipped through(which people slowed down frame by frame again and is the only reason why you think it's now somehow "connected")depict the exact murals in the school? It couldn't be that they just had a bunch of random props with "cult/yellow king/carcosa" shit on it
I saw both of the ones discussed without it being slowed down. These shots weren't Imjur neck beard shots, they were front and center. Ones I would consider imjur neck beard shots would be the spiral drawing, and the tulips--Those were background images and never had a shot reserved just for them (And so I'd more readily believe they were just coincidence or mistakes).Unless it's intentional. Marty also warned Rust twice about twisting a story to lead to your own narrative. That's three times in seven episodes it was brought up. Not sure if I can give Nicky P that much credit, but it's something to consider.
Either way, if it werent for these images being slowed down, who the fuck would even catch these simularities? If that's how this show was intended to be viewed, than THAT is what I would consider shitty writing.
Or it's just a commentary on how much your life can affect those around you, especially your children. Why does ithaveto have some deeper meaning? Because of some vague symbolism(seriously, we're talking about 2 scenes with very little time devoted to each)? Because of one scene with some dolls, which could just be a continuity error? It could also be a child's interpretation of a "car crash". Woman dead/injured, bystanders, paramedics attempting to offer aid. Because of a few brief shots of a notebook, that supposedly has some sort of "connection", when picked apart frame by frame(I didn't even notice it on the first viewing. But, I guess that's just me not "seeing the obvious". Or me just not doing a frame by frame analysis of every shot)? You're searching for some deeper "connection", because you want it to be there. You want it to fit your narrative. You want to feel like you weren't just chasing red herrings, hoping it wasn't truly that simple.It's not all from slowed down, frame-by-frame shots though. The daughter drew some fucked up shit, had a configuration of dolls similar to the 5:1::men:girl shit we've been seeing in like...every episode, talked about not wanting to get grandpa to help with something, getting double teamed in a car. Individually, these mean nothing. But there is certainly a pattern here. I'm not saying I'm convinced the grandpa is part of this (which is a big leap given what we've seen of him) or that Marty's daughter is a victim of the cult in some way, but there has been far too much screen time devoted to this for it to mean nothing.
I agree. The same can be said for a daughter neglected by her womanizing father though, and that is far more common. Shit, if it wasn't for girls with daddy issues I would barely ever get laid.I think all of this being a commentary on how much your life can affect those around you and wanting things seen on screen to fit a narrative is a far deeper meaning than simple causation. There's nothing deep about thinking a girl was sexually molested as a child because she's a sex fiend at a young age. Except for maybe the penis that made her that way.
How did she become a sex fiend at 8 astro? Was it by drawing a couple of dicks? More likely she was a whore when she was 15 because of how Marty treated his family and that he and his wife ended up separated for a while when the girls were younger.well the daughter didnt just become a sex fiend at 8 years old, her entire demeanor changed as well. she started acting like a dick to her family. yes, all that could be just kids growing up, but i dont think that is what happened.
Are you now an expert on what Hart's daughter was like prior to the couple of 15 second scenes that you say indicate some involvement in the Carcosa cult rape/murders? You're really stretching this thin.well the daughter didnt just become a sex fiend at 8 years old, her entire demeanor changed as well. she started acting like a dick to her family. yes, all that could be just kids growing up, but i dont think that is what happened.
the dick drawings and gangbanging dolls was just a result of her experiences being molested by her grampsHow did she become a sex fiend at 8 Maester Chuk? Was it by drawing a couple of dicks?