I don't know about loosing a large portion. They'll loose some of the core fans who, you're right, do drive the merchandising machine. But I think the general audience doesn't pick up on that stuff as readily to begin with, won't get as miffed about it, and that's good enough for the movies to hit $1B like clockwork.
Mark Hamill voices fierce disagreements behind the scenes to Rian Johnson on Episode 8 direction and storyline. Disagreements plural.
Its interesting, that's all I'm saying.
As for the interviews, what scares me is it might be a poorly written/directed crap fest. If some actors and others are not agreeing with whats presented that calls for pause on if this is going to be a popcorn movie you see in the $1 bin later or something good fan would expect.
As for the interviews, what scares me is it might be a poorly written/directed crap fest. If some actors and others are not agreeing with whats presented that calls for pause on if this is going to be a popcorn movie you see in the $1 bin later or something good fan would expect.
I wouldn't say that. Had Kershner listened to Hamill's complaints ESB likely would have sucked.
For what it's worth I've never seen the context of his issues with Kershner either (just interviews where both Kershner and Hamill have mentioned that they disagreed at the time) so you can't even apply that history to this instance. You can only judge the finished product which most consider either the best or second best installment in the franchise.
That sums up the way I think of it as well. Makes me wonder how ticked off what's his name, Robb Stark dude, musta felt when he first heard the grisly news haha.For me there isn't enough context with his concerns (or Ridley's) to know if those are bad signs or not. They wouldn't be the first actors to become invested in the characters they're playing, especially when they're recurring roles. Such actors sometimes end up wanting certain things or creating certain expectations for their characters. That can be especially true in a case like Hamill's where he's had well over 30 years to imagine all of the things that might have become of Luke after RoTJ. But those desires don't necessarily serve to make a story that is larger than they are a good one (although they might make dedicated Luke Skywalker fans very happy).
And sometimes an actor's trepidation about where a role is going isn't born out of the belief that it will hurt the overall story but rather can they as an actor do what that direction is going to call for. They may be uneasy about going to the emotional headspace to deliver the performance that is being called for.
The only thing I take away from it is that they're really invested into their characters (which I already knew in Hamill's case) and that is a good thing.