Better story than Twilight.
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Ari Emanuel is actually extremely fucking smart and very based for someone whose brother is Rham.Like I said, you can hate all of them. You don't have to pick sides.
Fuck the execs, fuck the studios, fuck the actors, fuck the writers. They all suck.
The horrible shits I take after eating spicy food are a better story than Twilight.Better story than Twilight.
I'm not really following this story too closely but I'd be totally supportive of a producer taking a writers-first strategy on producing new tv/movies. Whenever I read about the strike I get the sense that producers are cutting costs on writing so severely and isolating writers that it's impossible for good writing to be delivered on so many movies.
Mark sounds like he pissed away every penny of that MCU money he made. or he never made shit from them to begin with.
Mark Ruffalo preaching about “sharing the wealth” after he’s already banked millions off the hard work of others is fucking hilarious.
They also want to continue to pay residuals for streamers based on a contract from 1988 for direct-to-video movies.The funny thing is, money is just the talking point for the sign boards, cause its something people understand. The AMPTP could solve the money the writers and actors are asking for with a rounding error on the CEOs salaries (it was like a 2% paycut for the top 10 paid CEOs would cover all the financial demands of both guilds, and then some)
The studios dont want to budge on AI, and they dont want to budge on giving away streaming numbers like they used to have to for network TV. They want everything to be in the red on paper and never share a residual again.
Also, I think if it were up to everyone but those Top 10 CEOs (and Im willing to bet even less than those 10), they already would have given the WGA and SAG everything they wanted and gotten back to work.
This is dumb logic. If the studios can make infinite copies of your work and continue to sell it forever, you should continue to get your cut forever, no matter how small and stupid that cut is.You are not owed in perpetuity.
No. They were paid to act. They received their compensation.This is dumb logic. If the studios can make infinite copies of your work and continue to sell it forever, you should continue to get your cut forever, no matter how small and stupid that cut is.
Copyright for movies and TV is 70 years. If copyrights were a lot shorter, the "no residuals" idea would make more sense.
Wrong. This is not how it is in every occupation. Like 40-80% of employees at most companies are dead weight. 20% produce 80% of the value, this is measurable and consistent across most industries. Pareto principle - Wikipediathe AI stuff is pure Nose behavior. just fucking pay the people properly for the quality of their work, but only hire them if they do GOOD work. thats how it is in every occupation. stop hiring dead weight. be better.
It's not how it is in film and tv either. Remember what a big deal it was for RDJ to get a cut of the Avengers? Or Jackson for LOTR? Neither studio was happy paying that out because it was so successful.Wrong. This is not how it is in every occupation. Like 40-80% of employees at most companies are dead weight. 20% produce 80% of the value, this is measurable and consistent across most industries. Pareto principle - Wikipedia
The dead weight at most companies get paid almost as much as the 20% who actually produce the valuable work.
Only because his works are too old for copyright.Davinici's family doesn't get a cut every time someone sees one of his works.